Indian dancer

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Indian dancer

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Indian dancer
Indian dancer
Indian dancer

It draws inspiration from the Ramayana and stories from Shaiva traditions. Kathakali is traditionally performed by boys and men, even for female roles.

The costumes and makeup are especially elaborate, with faces made to look like painted masks and enormous headdresses.

A dance of northern India, Kathak is often a dance of love. It is performed by both men and women. The movements include intricate footwork accented by bells worn around the ankles and stylized gestures adapted from normal body language.

It was originated by Kathakas, professional storytellers who used a mixture of dance, song, and drama. Like other Indian dances it began as a temple dance, but soon moved into the courts of ruling houses.

Manipuri comes from Manipur in northeastern India. Unlike some of the other, more rhythmic dances, Manipuri is characterized by smooth and graceful movements.

Female roles are especially fluid in the arms and hands, while male roles tend to have more forceful movements. The dance may be accompanied by narrative chanting and choral singing.

Unlike the other styles mentioned, kuchipudi requires talent in both dancing and singing. This dance, from the state of Andhra Pradesh in southeastern India, is highly ritualized, with a formalized song-and-dance introduction, sprinkling of holy water, and burning of incense, along with invocations of goddesses.

Traditionally the dance was performed by men, even the female roles, although now it is predominantly performed by women. Odissi is indigenous to Orissa in eastern India.

It is predominantly a dance for women, with postures that replicate those found in temple sculptures. Based on archaeological findings, odissi is belived to be the oldest of the surviving Indian classical dances.

The earliest paleolithic and neolithic cave paintings such as the UNESCO world heritage site at Bhimbetka rock shelters in Madhya Pradesh shows dance scenes.

For example, the Dancing Girl sculpture is dated to about BCE, shows a The Vedas integrate rituals with performance arts, such as a dramatic play, where not only praises to gods were recited or sung, but the dialogues were part of a dramatic representation and discussion of spiritual themes.

The Vedic sacrifice yajna is presented as a kind of fight, with its actors, its dialogues, its portion to be set to music, its interludes, and its climaxes.

The evidence of earliest dance related texts are in Natasutras , which are mentioned in the text of Panini , the sage who wrote the classic on Sanskrit grammar , and who is dated to about BCE.

The classic text of dance and performance arts that has survived is the Hindu text Natya Shastra , attributed to sage Bharata.

He credits the art his text systematically presents to times before him, ultimately to Brahma who created Natya-veda by taking the word from the Rigveda , melody from the Samaveda , mime from the Yajurveda , and emotion from the Atharvaveda.

India has a number of classical Indian dance forms, each of which can be traced to different parts of the country. Classical and folk dance forms also emerged from Indian traditions, epics and mythology.

Classical dance of India has developed a type of dance-drama that is a form of a total theater. The dancer acts out a story almost exclusively through gestures.

Most of the classical dances of India enact stories from Hindu mythology. The criteria for being considered as classical is the style's adherence to the guidelines laid down in Natyashastra , which explains the Indian art of acting.

The Sangeet Natak Akademi currently confers classical status on eight Indian classical dance styles: Bharatanatyam Tamil Nadu , Kathak North, West and Central India , Kathakali Kerala , Kuchipudi Andhra , Odissi Odisha , Manipuri Manipur , Mohiniyattam Kerala , and Sattriya Assam.

The tradition of dance has been codified in the Natyashastra and a performance is considered accomplished if it manages to evoke a rasa emotion among the audience by invoking a particular bhava gesture or facial expression.

Classical dance is distinguished from folk dance because it has been regulated by the rules of the Natyashastra and all classical dances are performed only in accordance with them.

Dating back to BC, barathanatyam is a classical dance from the South Indian state of Tamil Nadu , practiced predominantly in modern times by women.

The dance is usually accompanied by classical Carnatic music. Bharatanatyam and other classical dances in India were ridiculed and suppressed during the colonial British Raj era.

Kathakali katha , "story"; kali , "performance" is a highly stylized classical dance - drama form which originated from Kerala in the 17th century. Kathakali primarily developed as a Hindu performance art, performing plays and mythical legends related to Hinduism.

Kathak is traditionally attributed to the traveling bards of ancient northern India , known as Kathakas or storytellers.

Kathak is found in three distinct forms, named after the cities where the Kathak dance tradition evolved — Jaipur , Benares and Lucknow. Kuchipudi classical dance originated in a village of Krishna district in modern era Indian state of Andhra Pradesh.

Modern Kuchipudi tradition believes that Tirtha Narayana Yati and his disciple an orphan named Siddhendra Yogi founded and systematized the art in the 17th century.

The Kuchipudi performance includes pure dance nritta , [77] and expressive part of the performance nritya , where rhythmic gestures as a sign language mime the play.

Odissi originated in the Hindu temples of Odisha — an eastern coastal state of India. Sattriya is a classical dance-drama performance art with origins in the Krishna -centered Vaishnavism monasteries of Assam , and attributed to the 15th century Bhakti movement scholar and saint named Srimanta Sankardev.

Manipuri, also known as Jagoi, [93] is named after the region of its origin — Manipur , a state in northeastern India bordering with Myanmar Burma.

Mohiniyattam developed in the state of Kerala , gets its name from Mohini — the seductress avatar of Vishnu, who in Hindu mythology uses her charms to help the good prevail in a battle between good and evil.

The repertoire of Mohiniyattam includes pure and expressive dance-drama performance, timed to sopana slower melody styled music, [] [] with recitation.

The songs are typically in Malayalam-Sanskrit hybrid called Manipravala. Folk dances and plays in India retain significance in rural areas as the expression of the daily work and rituals of village communities.

Sanskrit literature of medieval times describes several forms of group dances such as Hallisaka , Rasaka , Dand Rasaka and Charchari.

The Natya Shastra includes group dances of women as a preliminary dance performed in prelude to a drama. India has numerous folk dances.

Tribal Dances in India are inspired by the tribal folklore. Each ethnic group has its own distinct combination of myths, legends, tales, proverbs, riddles, ballads, folk songs, folk dance, and folk music.

The dancers do not necessarily fall rigidly into the category of "tribal". However, these forms of dance closely depict their life, social relationships, work and religious affiliations.

They represent the rich culture and customs of their native lands through intricate movements of their bodies.

A wide variation can be observed in the intensity of these dances. Some involve very slight movement with a more groovy edge to it, while others involve elevated and vigorous involvement of limbs.

These dances are composed mostly on locally made instruments. Percussion instruments feature in most of these dances. Music is produced through indigenous instruments.

Music too has its own diversity in these tribal dances with the aesthetics ranging from mild and soothing to strong and weighted rhythms.

A few of them also have songs, either sung by themselves or by onlookers. The costumes vary from traditional saris of a particular pattern to skirts and blouses with mirror work for women and corresponding dhotis and upper-wear for men.

They celebrate contemporary events, victories and are often performed as a mode of appeasing the tribal deities. A lot of the dance styles depend upon the regional positioning of the ethnic group.

Factors as small as east or west of a river result in a change of dance form even though the over-reaching look of it may seem the same.

The religious affiliation affects the content of the songs and hence the actions in a dance sequence. Another major factor affecting their content are the festivals, mostly harvest.

For example, the ethnic groups from the plain land rabhas from the hilly forested areas of Assam make use of baroyat plate-like instrument , handa a type of sword , boushi adze-like instrument , boumshi bamboo flute , sum heavy wooden instrument , dhansi.

Traditionally, their dances are called basili. Through their dance, they express their labours, rejoicings and sorrows. Handur Basu their pseudo-war dance expresses their strength and solidarity.

From a broader point of view, the different tribal dance forms, as they would be classified in the context of territory are:.

Siddi, Tappeta Gundlu, Urumulu thunder dance , Butta Bommalata, Goravayyalu, Garaga Vessel Dance , Vira Ntyam Heroic Dance , Kolatam, Chiratala Bhajana, Dappu, Puli V esham Tiger Dance , Gobbi, Karuva, and Veedhi Bhagavatam.

Dhuliya and Bhawariya, Bihu, Deodhani, Zikirs, Apsara-Sabah. Rasleela, Phag Dance, Phalgun, Daph Dance, Dhamaal, Loor, Guga, Jhomar, Ghomar, Khoria, Holi, Sapela.

Chambyali dance, ghuraiyan, pahadi nati, Dalshone and Cholamba,jhamakda, Jataru Kayang, Jhoori, Ji, Swang Tegi, Rasa.

Mundari dance, Santali dance. Thirayattam, Padayani, Ayyappanvilakku, Vattakkali, Theyyam, Mohiniyattom, Kadhakali, Thiruvathira Kali, Ottamthullal, Kerala Folk dance, Kalamezhuthum pattum, Oppana, Marghamkali, Chavittunadakam, Mudiyettu, Dhaphumuttu, Kolkali, Pulikali, Pettathullal.

Gaur, Muriya, Saila, Kaksar, Sugga, Banjaara Lehangi , Matki Dance, Phul Patti Dance, Grida Dance. Lie Haraoba Dance, Chanlam, Toonaga Lomna Dance [].

Wiking, Pombalang Nongkrem []. Cheraw, Khuallam, Chheihlam, Chailam, Tlanglam, Sarlamkai, Chawnglaizawn []. Naga, Ghumri, [] Danda Nacha, [] Chhau , Goti Pua, Dal khai, Baagha Nacha, Keisabadi.

Banjaara, Ghoomar, Fire dance, Tera tali, Kachhi Ghori, Geedar []. Pang Toed Chaam Chaam means dance performed during the Pang Lhabsol festival in honour of the Guardian deity Khang-Chen-Dzonga, Maruni Nepali Dance and Tamak.

Karakam, Puravai Attam, Ariyar Natanam, Podikazhi Attam, Kummi, Kavadi, Kolattam, Navasandhi, Kuravaik Koothu, Mayilaattam, Oyil Kummi, Pavakkuthu [].

Santali dance, Jatra, Gazan []. Lozen, Gouyen []. Contemporary dance in India encompasses a wide range of dance activities currently performed in India.

It includes choreography for Indian cinema , modern Indian ballet and experiments with existing classical and folk forms of dance by various artists.

Uday Shankar and Shobana Jeyasingh have led modern Indian ballet which combined classical Indian dance and music with Western stage techniques.

Their productions have included themes related to Shiva-Parvati, Lanka Dahan, Panchatantra, Ramayana among others.

The presentation of Indian dance styles in film, Hindi Cinema , has exposed the range of dance in India to a global audience.

Dance and song sequences have been an integral component of films across the country. With the introduction of sound to cinema in the film Alam Ara in , choreographed dance sequences became ubiquitous in Hindi and other Indian films.

Dance in early Hindi films was primarily modelled on classical Indian dance styles such as Kathak, or folk dancers.

Modern films often blend this earlier style with Western dance styles MTV or in Broadway musicals , though it is not unusual to see western choreography and adapted classical dance numbers side by side in the same film.

Typically, the hero or heroine performs with a troupe of supporting dancers. It is popular for a hero and heroine to dance and sing a pas de deux a French ballet term, meaning "dance of two" in beautiful natural surroundings or architecturally grand settings, referred to as a "picturisation".

The choreography for such item numbers varies depending on the film's genre and situation. The film actress and dancer Helen was famous for her cabaret numbers.

Often in movies, the actors don't sing the songs themselves that they dance too, but have another artist sing in the background. For an actor to sing in the song is unlikely but not rare.

The dances in Bollywood can range from slow dancing, to a more upbeat hip hop style dance. The dancing itself is a fusion of all dance forms.

It could be Indian classical, Indian folk dance, belly dancing, jazz, hip hop and everything else you can imagine. Since India's independence from colonial rule, numerous schools have opened to further education, training and socialization through dance classes, [] [] or simply a means to exercise and fitness.

Major cities in India now have numerous schools that offer lessons in dances such as Odissi , Bharatanatyam , and these cities host hundreds of shows every year.

Some traditions of the Indian classical dance are practiced in the whole Indian subcontinent , including Pakistan and Bangladesh , with which India shares several other cultural traits.

Indian mythologies play significant part in dance forms of countries in South East Asia , an example being the performances based on Ramayana in Javanese dances.

Sangeet Natak Akademi organizes dance festivals around India. From Wikipedia, the free encyclopedia. Classical to folk dance arts of India.

Assamese Bengali Bodo Dogri Gujarati Hindi Kannada Kashmiri Konkani Maithili Malayalam Manipuri Marathi Nepali Odia Punjabi Sanskrit Santali Sindhi Tamil Telugu Urdu.

Mythology and folklore. Mythology folklore Indian epic poetry Vedic mythology Buddhist mythology. Architecture Sculpture Painting.

Indian poetry. Music and performing arts. Radio Television Cinema. World Heritage Sites. Flag Coat of arms. Main article: Indian classical dance.

Main article: Bharatanatyam. Main article: Kathakali. Main article: Kathak. Main article: Kuchipudi. Main article: Odissi.

Main article: Sattriya. Main article: Manipuri dance. Main article: Mohiniyattam. Main article: Folk dance in India.

Main articles: Hindi dance songs and Bollywood song and dance. Lochtefeld The Illustrated Encyclopedia of Hinduism: N-Z.

The Rosen Publishing Group. Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art. Engendering Performance: Indian Women Performers in Search of an Identity.

SAGE Publications. Hindus: Their Religious Beliefs and Practices. It would be appropriate here to comment on Hindu classical dance. This developed in a religious context and was given high profile as part of temple worship.

There are a number of regional and other styles as well as source texts, but the point we wish to stress is the participative nature of such dance.

In form and content, the heart of dance as worship in Hinduism has always been 'expression' abhinaya , i. Bloomsbury Academic. References to dance and music are found in the vedic literature, The Oxford Handbook of Religion and the Arts.

Oxford University Press. The concept of dance education. Retrieved 29 February The Reader's Encyclopedia of World Drama.

Dance Matters: Performing India on Local and Global Stages. Traversing Tradition: Celebrating Dance in India. Dance in Indian Painting.

Abhinav Publications. National Museum, New Delhi.

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